Brand
- idance 1
- Planet Waves 14
- Genelec 1
- D'addario 17
- Adam Hall 62
- Kinsman 18
- John Hornby Skewes & Co Ltd 5
- Easy Karaoke 7
- On Stage 3
- Behringer 11
- Beyerdynamic 360
- Alto Professional 30
- Audio Music Systems 101
- Alesis 5
- Neutrik 1
- M-Live 4
- Klark Teknik 4
- Electrovoice 4
- MEE Audio 19
- Konig & Meyer 118
- Xvive 5
- EZ Acoustics 1
- FBT 316
- Mighty Brite 1
- Zoom Corporation 28
- Fos Technologies 32
- Numark 1
- Peavey 17
- Tap 3
- Trinity College London 1
- Variphone 12
- Rane 3
- Equipson 365
- Xilica Audio Design 30
- Ixos 177
- Other 1
- sE Electronics 53
- KZ Earphones 9
- Saramonic 37
- KAM 6
- Dynacord 12
- Midas 4
- INTERSTATE AUDIO 28
- Shure 5
- ACX 7
- Soundtube 7
- Sony 1
- Australian Monitor 5
- Quik Lok 2
- KAL Electronics 43
- Mic W 1
- Boya 5
- Prolink 5
- Cad Audio 2
- NewHank 7
- ROXTONE 3
- KAKUSIGA 7
AppleApple 5
BenqBenq 7
BoseBose 3
DellDell 6
GigabyteGigabyte 7
HPHP 4
KodakKodak 2
LGLG 3
PhilipsPhilips 3
SamsungSamsung 6
TranscendTranscend 4
ViewsonicViewsonic 4
Color
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.











