08″ Hydraulic Blue Tom Drumhead for Deep Rock Vibes
10″ EC2 Clear Tom Drumhead – Warm, Focused Sound Quality
10″ EC2 Frosted Drumhead – Warm Tone & Enhanced Control
10″ Hydraulic Black Drumhead for Deep Rock Vibes
10″ Hydraulic Glass Drumhead – Effortless Tuning & Deep Sound
11″ G1 Clear Drumhead – Bright Tone & Exceptional Sensitivity
11″ Genera Resonant Drumhead – Clear, Enhanced Projection
11″ Hydraulic Glass Drumhead for Deep Rock & Easy Tuning
12″ Clear Genera Resonant Drumhead – Boost Tone & Projection
12″ Hydraulic Glass Drumhead – Instant Deep Sound & Easy Tuning
13″ G1 Coated Tom Drumhead – Warmth & Expressive Sound
13″ Hydraulic Black Tom Drumhead – Deep Rock Sound, Easy Tune
13″ Hydraulic Blue Tom Drumhead for Deep Rock Vibes
13″ Hydraulic Glass Drumhead – Instant Deep Rock Tone
14″ G1 Clear Drumhead – Bright Sound & Enhanced Sensitivity
14″ Genera Resonant Tom Drumhead – Clear, Full Sustain
14″ Hydraulic Black Drumhead – Effortless Tuning & Deep Tone
14″ Hydraulic Blue Drumhead – Deep Rock Sound & Easy Tuning
14″ Hydraulic Clear Drumhead for Powerful Rock Beats
15″ Clear Genera Drumhead for Superior Tone & Projection
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.