English Type Power Cable YP-09/UK88 A – 3 m Length for Versatile Use
Heavy-Duty Iron Speaker Stand for 60 kg Load Capacity
High-Quality 1 m KAL Black Sleeved Speaker Cable 2 x1.5 mm
High-Quality 2-Pin 6.3 mm Cable with Dual XLR Females – 1.5 m
High-Quality CB-100 Speaker Cable 2 x1.00 mm for Clear Sound
High-Quality CB-150 2 x1.50 mm Speaker Cable for Clear Sound
K-190 Passive Roof Vent – Efficient 2-Way Ventilation Φ166 mm || Advanced K-190 Roof Vent – Dual Function Passive Ventilation Φ166 mm
K-990 Active 2-Way Roof Ventilation System Φ166 mm for Optimal Airflow || Premium K-990 Roof Ventilation Φ166 mm – Enhance Your Roof’s Air Circulation
KAL 15″ Rechargeable Speaker with Dual Wireless Mics
KAL DMX Lighting Console for Professional Stage Control
KSC-1163SILVER
KSC-1532BLACK
KSC-552SILVER
KYG-107A
KYG-107B
KYM-61 One-Handed Microphone Crane for Effortless Control
KYW-106 Wall Mounted Professional Speaker Bracket for Optimal Sound
L-T03 Versatile Music Tool for Precision Sound Control
Premium KAL 1 m Speaker Cable Red-Black 2 x0.75 mm for Clear Sound
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.